Final Worksĭespite his retirement plans, in the mid-1880s, through a connection initiated by longtime friend Giulio Ricordi, Verdi collaborated with composer and novelist Arrigo Boito (also known as Enrico Giuseppe Giovanni Boito) to complete Otello. Four years later, in 1874, Verdi completed Messa da Requiem (best known simply as Requiem), which was meant to be his final composition. Comprising a popular operatic series throughout the decades were Rigoletto (1851), Il trovatore (1853), La traviata (1853), Don Carlos (1867) and Aida, which premiered at the Cairo Opera House in 1871. His rejection of the traditional Italian opera for integrated scenes and unified acts only added to his fame.įor the rest of the 1840s, and through the 1850s, '60s and '70s, Verdi continued to garner success and fame. He became known for his skill in creating melody and his profound use of theatrical effect. ![]() ![]() Subsequently, Verdi held a prominent reputation in Italy's operatic theater scene and, later, in the country's political scene as well. Both pieces earned the composer a great amount of success. He soon found solace in his work, however, by composing two new, fourt-part operas in 1842 and '43, Nabucco and I Lombardi alla Prima Crociata (best known simply as I Lombardi), respectively. Earning Wide Acclaimĭispirited by the loss of his family, Verdi entered the 1840s disheartened, struggling to find inspiration to continue creating music. Making the experience worse for the young musician, Un giorno di regno's debut was painfully overshadowed by the death of his wife, Margherita, on June 18, 1840, at age 26. Unlike Oberto, Verdi's second opera was not well-received by audiences or critics. Verdi followed Oberto with the comic opera Un giorno di regno, which premiered in Milan in September 1840, at Teatro alla Scala. While working on Oberto, the composer suffered what would be the first of many personal tragedies: His and Margherita's first child, daughter Virginia Maria Luigia Verdi (born in March 1837), died in infancy on Augjust one year later, in October 1839, the couple's second child, son Verdi Icilio Romano Verdi (born in July 1838), died, also as an infant. In 1838, at age 25, Verdi returned to Milan, where he completed his first opera, Oberto, in 1839, with the help of fellow musician Giulio Ricordi the opera's debut production was held at La Scala, an opera house in Milan. Three years later, in 1836, Verdi wed Margherita Barezzi, the daughter of a friend, Antonio Barezzi. In addition to composing, he made a living as an organist around this time. Verdi got his start in Italy's music industry in 1833, when he was hired as a conductor at the Philharmonic Society in Busseto. Subsequently, he began studying under Vincenzo Lavigna, a famous composer from Milan. In 1832, Verdi applied for admission at the Milan Conservatory, but was rejected due to his age. ![]() ![]() There, he began studying musical composition. Verdi first developed musical talents at a young age, after moving with his family from Le Roncole to the neighboring town of Busseto. His mother, Luigia Uttini, worked as a spinner, and his father, Carlo Giuseppe Verdi, made a living as a local inkeeper. Early Lifeįamed composer Giuseppe Verdi was born Giuseppe Fortunino Francesco Verdi on October 9 or 10, 1813, in the community of Le Roncole, near Busseto in the province of Parma, Italy. Verdi died on January 27, 1901, in Milan, Italy. Additionally, his rejection of the traditional Italian opera for integrated scenes and unified acts earned him fame. Verdi produced many successful operas, including La Traviata, Falstaff and Aida, and became known for his skill in creating melody and his profound use of theatrical effect. Giuseppe Verdi was born in Italy in 1813, prior to Italian unification.
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